Squid Game is an impeccable marriage of these two genres. Though they have the power to break the law because of an unfair system, usually wealth or power inequality, that system usually isnРІР‚в„ўt the primary element being critiqued. Their worlds donРІР‚в„ўt necessarily condone murder for entertainment theyРІР‚в„ўre actively working outside the law, because they have enough money and power to do so. These people didnРІР‚в„ўt create the law, they merely work to ensure it remains unchanged, because they benefit from the power they get from the status quo.Р”В«ut for most-dangerous-game stories, the villain is an individual or group of people who are usually abnormally wealthy and actively participating in the game themselves. But those are just a representation of the larger culture that insists violence is necessary for social cohesion. They usually offer a face for the controlling force, like Battle RoyaleРІР‚в„ўs ex-teacher Kitano or Hunger Games host Caesar Flickerman. Battles royale interrogate how society and its structures control us, with rules, rewards, and punishments. These movies invoke another classic story, The Most Dangerous Game, about a shipwreck survivor who must survive until dawn while being hunted by an ultra-rich murderer.Р”В«oth the battle royale genre and the dangerous-game genre are fundamentally about games, but they differ in their approach to the villain. That all holds true for Squid Game, but the show also incorporates elements from other recent horror movies, like Ready or Not, Escape Room, and The Hunt. They invoke the same horror inherent in Shirley JacksonРІР‚в„ўs controversial short story The Lottery, which says tradition, culture, and other controlling forces in our lives can convince us to do terrible things - things which seem perfectly natural until they happen to people we care about. These stories are usually set in alternate realities where unimaginable violence is routine. In most battle royale media, from the genre-naming Battle Royale to Hunger Games and The Purge, the overall story arc is about testing the gameРІР‚в„ўs boundaries and exploiting its vulnerabilities. And the fact that she isnРІР‚в„ўt in this case says a lot about HwangРІР‚в„ўs intentions with the show. But in most battle royale or dangerous-game stories, the skills and defiance Sae-byeok demonstrates would have marked her as the clear winner. To be clear, I donРІР‚в„ўt think Sae-byeok РІР‚СљdeservedРІР‚Сњ the gamesРІР‚в„ў prize money more, or that Gi-hun or anyone else deserved to lose either the game or their lives.

In almost any other version of this story, she would have - but Squid Game writer-director Hwang Dong-hyuk refuses to challenge the game structure at the storyРІР‚в„ўs core, so she, like almost everybody else, is lost to the game. If not, I thought she would at least escape, maybe taking the hapless Gi-hun along with her. But very early on, I began to think Kang Sae-byeok, the savvy loner formerly of North Korea, would win. Squid Game, NetflixРІР‚в„ўs surprise new horror hit, is clearly focused on one person from the start: Gi-hun, the kind-hearted gambler who eventually wins the titular game.

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